![]() I usually make LUTs for every major setup with this camera and use them for reference when I'm grading (but I don't actually grade with them). Obviously you wouldn't want to burn the LUT into your new masters, but you might want to for dailies, or to apply the LUT in your offline edit. So I use Catalyst Browse (free, Mac/Windows) which can read the source metadata, apply the appropriate transformations to Rec709, tweak the look using primary colour tools complete with Tangent and Decklink support, and generate a LUT that best represents the image. Created by Metas Instagram team, Threads is a platform that allows you to publish short posts or updates that are up to 500 characters. What I find frustrating with the A7S family is that almost no software can read it's metadata, and there are many possible combinations of log settings. Once you've done this for a mag or two, run a test conform between your edit software and Resolve to ensure that your settings are correct. This software is well worth the price of admission. You can use QTChange (Mac/Windows) to inject unique timecode into each file in a batch, as well as a reel name. ProResHQ or DNxHR HQ are good choices for an intermediate format considering the source format (no need for 444). You will need to transcode into an edit friendly format, Resolve (free or studio) is suitable for this. ![]() This will help whoever ultimately conforms the real thing for final color. When the show is locked in the edit, make a reference file that shows visible original clip names and clip timecodes, along with record timecode. I would not rename the files at all - only worry about scene/take in metadata. I would also organize folders by Shoot Date and then by Camera Card #, so you could always figure out the dates and so on. I recently got a project where about 1/3 of the footage was shot in SLog and the rest was in some kind of quasi-Rec709 mode, and it was a bit of a nightmare sorting it out.) ProRes 422HQ should be more than fine for 8-bit cameras like this. (This could be a video/data thing - I'm not sure. If you follow the above steps correctly, you should have the PDF Reader Expert Viewer Edit ready to run on your Windows PC or MAC. ![]() BTW, watch out for A7S material: I have seen cases where they come in with dodgy levels and you'll need to drop luma about 5 or so. If you do not want to download the APK file, you can install PDF Reader Expert Viewer Edit PC by connecting your Google account with the emulator and downloading the app from the play store directly. (All of the Sony A7S material I have seen does have timecode conflicts and it is an issue.)Ĭonsider these transcodes the actual "masters" for the show. This way, there will be far less of a chance of any timecode conflicts. When doing the transcoding, just use Timeline Timecode and put together a whole bunch of takes in a row and just let the first takes of the day all be Hour 1 (up to 1:59:50:00 or something), then start the next group at Hour 2, and so on. I'm with Craig, except I would try to avoid 00:00:00:00 timecode and.
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